Ronan & Erwan Bouroullec (ロナン エルワン ブルレック) 家具商品一覧

Les frères Ronan Bouroullec et Erwan Bouroullec forment un duo de designers français (d’origine bretonne !).

Ronan Bouroullec est né à Quimper en 1971. Diplômé de l’École nationale supérieure des arts décoratifs, il commence à travailler seul, puis progressivement avec son frère Erwan.  Erwan Bouroullec, quant à lui, est né à Quimper en 1976. Diplômé de l’École nationale supérieure d’arts de Cergy-Pontoise, il collabore rapidement avec son frère Ronan.

Associés depuis 1999, Ronan & Erwan Bouroullec deviennent vite reconnus et travaillent pour les plus grands éditeurs de design : Vitra, Kartell, Kreo, Cappellini, Ligne Roset…


ロナン&エルワン・ブルレック / Ronan & Erwan Bouroullec

1971~・1976~ / ブルターニュ

ロナン&エルワン・ブルレック は、兄 ロナン は1971年、弟 エルワン は1976年にフランス・ブルタ-ニュ地方に生まれる。


ロナン がEcole Nationale des Arts Decoratifsを卒業後すぐに働き始め、弟 エルワン はEcole des Beaux-Artsの学生だった頃から徐々にその仕事を手伝うようになる。

1997年ミラノのSalon du Meubleで「Disintegrated Kitchen」を発表したとき、ジュリオ・カッペリーニ氏に見出される。

1999年から共同でデザインをスタート、 カッペリーニ ( cappellini ) 、 ヴィトラ ( Vitra ) 、 マジス ( MAGIS ) 等から家具を発表している。


ホームページ (日本語 / 英語)

お買い物: ここそこです。


Following their mission of developing Japan’s craftsmanship and industry, Japan Brand invited us to conceive a contemporary object using traditional know-hows, trying to open the way for new uses and applications.

As we were first oriented towards traditional lacquer ware and cutlery, Ronan had the opportunity to visit several workshops from one of Japan’s great lacquer ware producing areas: Wajima. After ten days in fascinating immersion with craftsmen, trying to understand all techniques, fabrication atmospheres and decisive criteria for realization, we decided to concentrate onto lacquer ware only and to choose the workshop we felt most appropriate for a deep and smooth collaboration.

Whereas the demand concerned one sole object, we insisted on proposing a collection that could illustrate the wide range of possibilities of lacquer applications. We thus worked onto four objects that had deliberately different destinations such as culinary, domestic and nomadic applications. Our main desire was to show the beauty of perfectly reflecting lacquer and its possible uses in everyday life, through simple yet precious objects of sorts.

The lamp is a luminous box that highlights the magnificence of lacquer while presenting large shiny surfaces reflecting light. Thanks to the red glow diffused by the light when switched on, a very subtle mood emanates from the lacquer and creates a smooth and captivating atmosphere.

The desk lamp is an assemblage of three elements that remind distinctly of very traditional lacquer ware shapes. The final piece that derives from this simple combination suggests the infinite possibilities offered by the material and its classical elements. It shows that familiar forms can give birth to different and mysterious contemporary objects. The use of Leds in both lights enhances the impact of the marriage between ancient and recent techniques.

The double lunch tray set is a precious box, initially thought as a culinary object but with several possible applications. Closed by two magnets the shape seems to present an infinite curve, with no asperity. Open, it proposes a symmetrical double-tray that can welcome any kind of food or object.

The pocket mirror is a nomadic and delicate object that expresses the wonderful texture of the lacquer. At the end, this unisex of kind raises a feeling of preciousness and banality at the same time.


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